Portrait as one way psychologization of the character''s artistic image (A. F. Pisemsky "Masons")

Authors

  • Elena Leonidovna Fedorova Law Institute of Russian University of Transport (RUT-MIIT) Author

DOI:

https://doi.org/10.18255/2412-6519-2018-4-276-281

Keywords:

poetics of psychologism, method, routine, province, freemasons, portrait feature, poetics of the novel, naive realism

Abstract

The article examines the features of the poetics of psychology in the works of Pisemsky, considered and analyzed one of the ways - the creation of an internal portrait of the character, which is embodied by the author by describing the appearance, behavior, individual actions of the characters. The material of the study is the last novel of the writer "Masons" - a novel about"ideal people". The writer's work aroused great interest among his contemporaries. The first works of Pisemsky received different responses, from acceptance to misunderstanding. They were perceived as the fruit of his own inner experience of Pisemsky, in which artistry receded into the background, giving way to the truth of life. Critics and literary critics called him the foremost chronicler, factography, which with remarkable accuracy managed to convey the flavour of everyday life a Study of the novels allows us to understand the processes that occur in the literature of the 19th century. The writer stands out from the main line of prose development. One of the definitions he received was"naive realist". The analysis of the poetics of the work allows to expand and deepen the idea of the writer's creative manner, to understand the psychological techniques used by Pisemsky. Attempts to overcome everyday life, to find new ideals deserve the attention of researchers, as they allow to take a fresh look at the literary process and, in particular, at the author's psychology.

Author Biography

  • Elena Leonidovna Fedorova, Law Institute of Russian University of Transport (RUT-MIIT)
    PhD of linguistics, assistant professor. Department of social Sciences and professional communication

References

Шелгунов Н. В. Люди сороковых и шестидесятых годов // Шелгунов Н. В. Литературная критика. М., 1974. С. 39-209.

Анненков П. В. Критические очерки. СПб., 2000. 414 с.

Михайлов М. Л. «Горькая судьбина». Драма в 4-х действиях А. Ф. Писемского // Писемский А. Ф. Собр. соч.: В 3 тт. М., 1958. Т. 3. 751 с.

Иванов И. И. А. Ф. Писемский. Критико-биографический очерк. СПб., 1898. 244 с.

Павлова Е. В. «Отрезвляющий реализм» А. Ф. Писемского (по материалам работ С. А. Венгерова) // Забытые и «второстепенные» критики и филологи XIX-XX веков. Материалы научной конференции «Пятые Майминские Чтения» 14-17 ноября 2004 г. Псков, 2005. С. 103-107.

Писемский А. Ф. Письма. М.-Л., 1936. 537 с.

Писемский А. Ф. Собр. соч. в 9 тт. Т. 8. Масоны. М., 1959. 606 с.

Журавлева А. И. Русская драма и литературный процесс Х1Х века. М., 1988. 198.

Downloads

Published

2025-12-10

Issue

Section

Philology